Choices of royalty in such a deck as this could certainly engender some spirited discussions!  The designer decided on a few simple criteria:  First, a prospective candidate for royalty in this deck must have been a resident of Idaho County.  Secondly, the person was a local legend and/or made a significant influence or impact on the county.  Thirdly, the person was featured and/or lived in Idaho County in the first 60 years after its formation. And lastly, those whose names are now reflected in features of the county (roads, mountains, towns, etc.) certainly deserve special consideration.

The green dropdown lists below are royalty exclusively found in the Idaho County PINOCHLE deck. The cream colored lists are royalty found in both the Poker and Pinochle decks.

King – Norman B. Willey, 1838-1921

Queen – Sister Alfreda Elsensohn, 1897-1989

Jack – Yellow Bull, ca. 1825-1919

King – Jack Hoxie, 1885-1965

Queen – Gertrude Maxwell, 1908-1998

Jack – Pete King, 1832-1907

King – Stephen S. Fenn, 1820-1892

Queen – Polly Bemis, 1853-1933

Jack – Aaron F. Parker, 1856-1930

King – Major Frank Fenn, 1853-1927

Queen – Anna Seubert Jenny, 1869-1964

Jack – N. B. Pettibone, 1869-1955

King – Looking Glass, ca. 1832-1877

Queen – Sister Hildegard Vogler, 1867-1957

Jack – Moses Embree Milner (“California Joe”), 1829-1876

King – Judge John E. Beede, 1834-1912

Queen – Sue L. McBeth, 1830-1893

Jack – Dr. Wesley Orr, 1880-1969

King – White Bird, unknown-1892

Queen – Tolo, unknown-1920

Jack – Loyal P. Brown (“L.P.”), 1829-1896

King – Dr. Wilson Foskett, 1870-1924

Queen – Lee Morse, 1897-1954

Jack – Jerry Johnson, 1838-1911

Jack Hoxie, 1885-1965

Working with a canvas measuring 2.5 inches by 3.5 inches presents many challenges.  One of which is the lack of space for adding acknowledgments, titles, explanations, etc. to the card face. Not to mention the aesthetic limitations of doing such as well. 

Even though most of the source photographs for this deck are in the public domain, acknowledgments are important in honoring and thanking those who continue to source and make these images available.  Some of these photographs were Jerry Johnson’s personal photos and artistic renderings.  Graphics not mentioned in the following are either Jerry Johnson’s photos and renderings or in the public domain with uncertain or now defunct origins.  For the royalty images, even though based on original photographs, it would be best to consider them artistic drawings.  After conversion to sepia tones many hand-drawn changes were made to sharpen facial features, minimize distractions, etc.

The Historical Museum at St. Gertrude deserves special mention. Not only were they enthusiastic about this project, furnishing any available resources they had at their disposal, they became a sponsor with the assistance of an Idaho Humanities Council grant. Without their support this project likely would not have been made available to the public. Please continue to support Idaho County’s flagship museum.

Thank you to the following:  Historical Museum at St. Gertrude (Sister Vogler, Sister Elsensohn, Polly Bemis, Dr. Wesley Orr, Mount Idaho); Keith Olsen (Buffalo Hump); Greg Slayden-website and Jobe Wymore-photographer, of peakbagger.com (Bare Peak Northwest); National Archives Online Catalog (Looking Glass, Yellow Bull); United States Library of Congress’s Prints and Photographs (Stephen S. Fenn); Eldene Wasem, Idaho Centennial Collection at the Idaho County Courthouse (White Bird, Aaron Parker, Jack Hoxie, Gertrude Maxwell); Sara Swisher (Anna Jenny); The Montana Historical Society (picture of Jerry Johnson, exhibit 943-014); the Idaho County Free Press (advertisements featured on sixes); and the Idaho County Genealogical Society (stagecoach featured on the tuck-box). 

Thanks also to former Idaho State Historian Keith Petersen for reviewing and adding valuable input to the poker deck biographies.